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Jumat, 17 Oktober 2014

Free Ebook Generation to Generation: Life Cycles of the Family Business

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Rabu, 24 September 2014

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Hermann Hesse: A Biography (Author of Siddhartha and Steppenwolf)By Coral Saloman (Herman Hesse Biographer)

ABOUT THE BOOK

Since the publication of Peter Camenzind in 1904 Hermann Hesse has been loved and hated by his own people, ignored and worshipped by the English speaking world, accused of being a Nazi sympathizer, and blacklisted by almost every newspaper in Hitler's Germany.

He accomplished all of this simply by writing some of the most honest and introspective fiction in modern literature, and by allowing the entire literate world to act as spectator to his own tumultuous internal journey. From Siddhartha to Steppenwolf, his characters faced the most complex questions of life, coming from different places and times, different backgrounds and ambitions, but all of them represented Hesse, and all of them wrestled with questions of self and soul that haunted their author throughout his life.

Hesse was a prolific author, publishing seventeen novels as well as several poems and essays, and, though mostly fiction, his works tended to follow the path of his own life, and his protagonists wrestle with the same problems he faced. He was constantly battling with the conflict of the mind and the body, the spiritual world and the sensual one.

During his life he struggled with questions of nationalism and pacifism, living through two world wars that nearly destroyed his native country. He desperately craved social acceptance, but found himself to be awkward, a natural loner, and wondered if the role of the artist was inevitably to be an outsider; an observer, but not a participant in life.

These questions and more are mirrored in his fiction, as he uses his characters to live out the different paths available to him, and the readers are reminded of similar dualities in their own lives. His novels tend to feature pairs of characters, one representing the ideal he wishes he could achieve, and one the less romantic reality he knows he must accept.

MEET THE AUTHOR

Coral Saloman is an experienced writer and a member of the Hyperink Team, which works hard to bring you high-quality, engaging, fun content. Happy reading!

EXCERPT FROM THE BOOK

Though his books were set in a wide range of places and times, and though their characters differed drastically in many ways, some themes reappear throughout his works, and these repeating patterns give the reader a great deal of insight into the mind of Hermann Hesse. One of his earliest novels, Demian, focused on the Neitzschian concept of the Apollonian versus the Dionysian spirit. This is a conflict between the passionate and the structured drives that occur within all people, and it is a conflict with which Hesse wrestled his entire life.

Another important idea within Demian is the concept of right and wrong. Hesse once wrote in a letter to his parents that "the morality of artists is replaced by aesthetics," and in the novel Sinclair expresses an appreciation for music because it is amoral, or outside of good and evil. According to Nietzsche, morality is a construct that arises solely from society and only by shaking off the chains of that construct and exerting their will can anyone truly be who they are.

This idea of finding oneself, of searching for the deepest, most honest parts of one's own nature is another concept that Hesse struggled with, and another that appears in all of his books. Hesse came from a family that saw the innate nature of mankind as savage and somehow unclean, and who believed that religion was the means required to control that nature. The author himself, however, felt a deep connection to the natural world, and failed to see the intrinsic evil in his natural desires. In Narcissus and Goldmund...

...buy the book to keep reading!!

  • Sales Rank: #1046578 in eBooks
  • Published on: 2012-05-15
  • Released on: 2012-05-15
  • Format: Kindle eBook

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Senin, 01 September 2014

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  • Published on: 1900
  • Binding: Paperback

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Minggu, 31 Agustus 2014

Ebook Free Critical Listening Skills for Audio Professionals 2nd (second) edition Text OnlyBy F. Alton Everest

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  • Sales Rank: #6746769 in Books
  • Published on: 2006
  • Number of items: 2
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Sabtu, 16 Agustus 2014

Download PDF Oresteia (Oxford World's Classics), by Aeschylus

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About the Author

Christopher Collard was Professor of Classics at the University of Wales, Swansea from 1975 until his retirement in 1996. He has published annotated editions of Euripides' Suppliant Women, Hecuba, and Select Fragmentary Plays

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Product details

Series: Oxford World's Classics

Paperback: 320 pages

Publisher: Oxford University Press; 1 edition (January 15, 2009)

Language: English

ISBN-10: 019953781X

ISBN-13: 978-0199537815

Product Dimensions:

7.7 x 0.8 x 5.1 inches

Shipping Weight: 8 ounces (View shipping rates and policies)

Average Customer Review:

3.9 out of 5 stars

5 customer reviews

Amazon Best Sellers Rank:

#167,244 in Books (See Top 100 in Books)

Good book for class.

thanks

A

boring book. Only bought it cos Prof required it.

This is a compelling new edition of the Oresteia. It rivals all existing Oresteia's and perhaps comes closest to Lattimore's version in accuracy and completeness of text. It is my favorite Oresteian Trilogy alongside Peter Meineck's version.Christopher Collard preserves the intricacy of Aeschylus's language while keeping the drama moving naturally. He does not force poetry or ideas into Aeschylus nor does he subtract, edit or delete words from the text (as often is done and can be seen in Fagels's and Vellacott's translations). The poetry comes out magically by itself.How Collard wins over Lattimore's version though is through the translation. The realism of the drama, the sentences structures, and the speeches all form naturally and normally. In Lattimore, the speeches and the drama becomes congested, contricted and (unnecessarily) complicated through how he structures the wording and poetry of Aeschylus's text. Collard does not use the tired and old fashion English like Lattimore, nor does he update the idom by using modern American English or slang. You can't really pinpoint which language style he's using, but indeed it is beautiful, readible and contemporary English. It's like he has become a transparent mouthpiece for Aeschylus and not mask of his own creation.There are also some very intriguing and very interesting touches Collard does within the plays. Throughout are descriptive italic markings, brackets and hyphens, indicating detailed stage directions and emotive expressions. He freely uses lyric, prose, and verse in his translation as Aeschylus does in various settings and scenarios.His is the most scholarly version as it incorporates the most up-to-date findings and research into Aeschylus and the Oresteia. From original to copied manuscripts, he compared many ancient and modern editions of the Oresteia and so some of his version includes subtle changes and slight differences when compared to other translations. He informs you of missing lines and includes passages that appear as fragments in the originals, which have been glossed over or not noticed by other translators.His explanatory notes and introduction are immensely extensive. They include so much research and attention to detail that one wonders how one man could know so much about Aeschylus and the Oresteia!The Contents not only have 4 incredible essays on Aeschylus and the Oresteia, but also include summaries of the plots, text & translation notes, a massive bibliography, a chronology of Aeschylus' life, family trees, and even a map of ancient Greece!I believe it is safe to say that Christopher Collard is now the leading interpreter of Aeschylus, and a milestone in the history of Aeschylean translation and scholarship.

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Kamis, 14 Agustus 2014

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Review

Praise for I SURVIVED THE BATTLE OF GETTYSBURG, 1863"...Informative and breathlessly paced." --KIRKUS REVIEWSPraise for I SURVIVED THE ATTACKS OF SEPTEMBER 11, 2001:"[Tarshis] crafts a dramatic, emotionally intense tale that takes account of 9/11's physical and emotional costs--short- and long-term--while ending on an upward beat." --KIRKUS REVIEWSPraise for I SURVIVED THE SINKING OF THE TITANIC, 1912:"The fast pace and intrinsically fascinating disaster story will keep readers turning the pages." --KIRKUS REVIEWSPraise for I SURVIVED HURRICANE KATRINA, 2005:"Expressive illustrations capture the drama of the storm and its aftermath, but the book's real power comes from its exploration of what it means to be a hero." --BOOKLIST

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About the Author

Lauren Tarshis's New York Times bestselling I Survived series tells stories of young people and their resilience and strength in the midst of unimaginable disasters. Lauren has brought her signature warmth and exhaustive research to topics such as the September 11 attacks, the destruction of Pompeii, Hurricane Katrina, and the bombing of Pearl Harbor, among others. She lives in Connecticut with her family, and can be found online at laurentarshis.com.

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Age Range: 8 - 12 years

Grade Level: 3 - 7

Lexile Measure: 740L (What's this?)

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Series: I Survived (Book 9)

Paperback: 112 pages

Publisher: Scholastic Inc.; 1 edition (February 25, 2014)

Language: English

ISBN-10: 0545459389

ISBN-13: 978-0545459389

Product Dimensions:

5.2 x 0.5 x 7.8 inches

Shipping Weight: 2.4 ounces (View shipping rates and policies)

Average Customer Review:

4.5 out of 5 stars

1,302 customer reviews

Amazon Best Sellers Rank:

#6,881 in Books (See Top 100 in Books)

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Senin, 11 Agustus 2014

Free Ebook Indira: The Life of Indira Nehru GandhiBy Katherine Frank

Free Ebook Indira: The Life of Indira Nehru GandhiBy Katherine Frank

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Indira: The Life of Indira Nehru GandhiBy Katherine Frank

Indira: The Life of Indira Nehru GandhiBy Katherine Frank


Indira: The Life of Indira Nehru GandhiBy Katherine Frank


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Indira: The Life of Indira Nehru GandhiBy Katherine Frank

On the morning of October 31, 1984, as she walked through her garden, smiling, with hands raised and palms pressed together in the traditional Indian namaste greeting, Indira Nehru Gandhi was assassinated by her own bodyguards. She died as she had lived, surrounded by men, yet isolated. It was a violent end to a life of epic drama.
Here is the first popular biography of one of the world's most influential leaders, India's third prime minister. Brought up during an era that saw the rise of Indian nationalism, Indira was raised to be what her father, Jawaharlal Nehru, called "a child of revolution" - destined to play a political role in the creation and governing of an independent India. Despite her early reluctance to embrace this role, Indira eventually presided over a huge, complex, religiously riven, and male-dominated country. She was born to a wealthy, westernized family, but she had a gift for connecting with the poor of the countryside and the urban slums, the illiterate, the dispossessed - so much so that "Indira is India" became a familiar slogan. Throughout childhood, love, marriage, imprisonment, motherhood, and a sequence of personal and family tragedies, her personal hopes and desires were continually subsumed by the historical and political imperatives of her country.
In this beautifully written book, the acclaimed biographer Katherine Frank draws on unpublished sources and more than a hundred interviews to create a rich, balanced portrait. INDIRA captures in full color the personal and political fate of the leader of the world's largest democracy - the woman who played a dominant role in the history of the twentieth century and who, when it ended, was voted Woman of the Millennium by the BBC.

  • Sales Rank: #828134 in Books
  • Published on: 2002-01-07
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .81" w x 6.00" l,
  • Binding: Hardcover
  • 592 pages

Amazon.com Review
The veteran author of critically praised books about Emily Brontë and Lucie Duff Gordon has written an exemplary popular biography of the powerful, controversial prime minister who indelibly shaped the world's largest democracy. Katherine Frank's solidly researched narrative is particularly good on the early years of Indira Gandhi (1917-84), cogently delineating her complex relationship with her father, nationalist hero Jawaharlal Nehru, which was intimate when they were pouring out their feelings in letters, but strained when they were actually together. We see an intelligent, strong-minded woman coming of age in a turbulent time marked by her relatives' frequent stays in prison as India struggled for freedom from Great Britain. After independence, when Nehru became prime minister, Gandhi was politically active but for many years resisted seeking power in her own right. Following the deaths of her husband (Feroze Gandhi, no relation to the Mahatma) in 1960 and Nehru in 1964, she moved into the top spot, aided by the Congress Party bosses' mistaken impression that she would be a figurehead they could manipulate. On the contrary, Frank shows Prime Minister Gandhi prompted by her deep fear of disorder toward increasingly authoritarian acts, most notoriously the state of emergency declared in 1975, when she authorized the arrest of many opposition leaders. Frank depicts Gandhi as having more faith in her personal bond with the Indian people than in the messy workings of democracy. But the religious and political divisions inflamed by her policies came home to roost in 1984, when she was assassinated by her own bodyguard, a Sikh enraged by the massacre of militant Sikhs in the Golden Temple. This sympathetic but unsparing portrait makes it clear that Gandhi was a flawed leader but evinces compassion for a woman striving with a difficult personal and political legacy. --Wendy Smith

From Publishers Weekly
The most striking aspects of Frank's readable, well-wrought biography are Gandhi's sad childhood and her reluctance to enter politics. She attended upwards of seven schools in Switzerland, England and India and was often separated from her family her tubercular mother died when Indira was 19; her father and many family members were in and out of jail during the Independence Movement. Indira herself was sickly (she spent 10 months in a sanatorium in Switzerland during WWII), and, at 37, she wrote to a friend, "I am doing a tremendous amount of work these days but I have not discovered my m‚tier yet." Schoolmate Iris Murdoch remembered Gandhi as "very unhappy, very lonely, intensely worried about her father and her country and thoroughly uncertain about the future." Only after the deaths of her husband, Feroze Gandhi; her father; Jawaharlal Nehru, independent India's first leader; and Lal Bahadur Shastri, his successor, did she come into her own politically. Not a political biography, Frank's book (via letters and conversations with close confidants) comes closest to showing the human Indira who joined politics because she felt duty-bound to uphold her father's secular, inclusive vision of her homeland. Frank (A Passage to Egypt: The Life of Lucie Duff Gordon; etc.) shows that Gandhi's increasing isolation, loss of confidence and closeness to her son, Sanjay, caused her later to impose the Emergency (suspending civil liberties and jailing opponents) and play castes, religions and political groups against one another contrary to her father's ideals. But she is far less knowable in the book's second and third sections, when she becomes the paranoid, ruthless leader remembered for her despotism. 12 pages b&w photos not seen by PW. Agent, Virginia Barber. (Aug. 14)Forecast: As the first biography of the late Indian leader, this will surely receive review attention and should sell well among those interested in India and in the life of an extraordinary woman.

Copyright 2001 Cahners Business Information, Inc.

From Library Journal
Hailed for A Passage to Egypt: The Life of Lucie Gordon Duff, Frank continues her exploration of interesting women.
Copyright 2001 Reed Business Information, Inc.

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